It almost looks as if it was taken inside a doll house. This tilt-shift image was taken in Medellin Colombia inside a mall. This is a very soft version of the tilt-shift effect, as you can see. note how the boat looks miniature and there is a nice depth to the image. This was shot from a float plane in British Columbia, Canada. Below are three examples of tilt-shift photos I’ve taken, all of different subjects. Personally, I don’t use tilt-shift all too much, but I do love the look it gives and the longer I spend time in cities the more I play with it. As such, the vast majority of tilt-shift photos you see are shot from the top down. So much so that some people call tilt-shift the miniature effect. Many tilt-shift photographs also make the items in the photo look miniature. It can also make an image look almost cartoon-like. When an image is given this effect, it can add depth to an image, almost a 3D look to it. Without getting technical, a tilt-shift photo is essentially an image in which one part of a photo appears very sharp and then rest fades away to a blur. Thus, what a better chance to show you how to create a tilt-shift photo using Photoshop Elements 11. It has an absolutely mind-blowing view of table mountain, as well as the rest of the downtown area. ![]() Today, I’m staying in a room on the 27th floor of the beautiful Tsago Cape Sun hotel in downtown Cape Town. As a result, I’m going to bring you in a little bit on the editing process of photography. You can then apply an automated tilt-shift effect before downloading the finished result, although high-resolution images attract a charge of around 10 pence.As I mentioned a couple weeks ago, I’ve partnered up with Photoshop Elements. You can knock up quick and dirty tilt-shift style images online, using a service like which lets you upload your images. Despite tilt-shift's popularity as an effect, it isn't available as a one-click option in many applications. There's bad news if you'd prefer to stick with album-slash-editors like Google Picasa. ![]() To get around this restriction, we'll use GIMP, which has more or less the same range of editing tools as Photoshop, and is free, although its interface is a little less intuitive than Adobe's. For the best effect, you'll want to use a graduated mask, which you can't do in Elements. For example, it's possible to achieve the same result using Photoshop Elements, albeit with a few restrictions. Those unwilling to splash out nearly £700 on Photoshop CS5 need to get a little more creative. What you'll needĪs ever, if you have access to the full version of Photoshop, you're laughing - you've got all the tools you need to create repeatable, convincing miniatures, and once you've practised doing it a few times you'll be able to get the job done in a few seconds. If nothing else, this is a great excuse for you to grab your camera and get shooting some new subjects. These are quite specific rules, but toy-style processing won't work very well unless you follow them - standard architectural shots and everyday portraits are likely to be poor candidates. Alternatively, objects that make popular toys are a good bet: construction equipment, trains and aircraft are all good potential ideas. If the people in your shot are too detailed, you'll lose the air of a Hornby-style model, so try to capture people from a long way away - go for rough shapes rather than facial features. ![]() It's possible to create a convincing tilt-shift image that includes people, but it's trickier to get right than shots of vehicles, for example. Be mindful of exactly what you choose to shoot as well. That means you need to imagine the angle from which you might shoot if you were standing over such a model - not directly down, but not directly at the scene, either.Ī relatively shallow angle will help with realism - think pedestrian bridges or low-rising hills. The best ones work if you imagine that you're trying to create an image of a small-scale model city. With the digital process taking a short time, choosing your shot is the most crucial aspect of creating a rewarding and convincing tilt-shift photo.
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